Acoustical Society of America: (ASA) The premier international scientific society in acoustics, dedicated to increasing and diffusing the knowledge of acoustics and its practical applications.

American Psychological Society: (APS) The leading national organization dedicated solely to the science of psychology. This site is a vast body of information and links!

BRAMS (Brain, Music and Sound) is a research unit affiliated with the University of Montreal, McGill University and the Montreal Neurological Institute. BRAMS is devoted to the study of music cognition with a focus on neuroscience.

Canadian Acoustical Association: (CAA) The professional, interdisciplinary organization that: fosters communication among people working in all areas of acoustics in Canada; promotes the growth and practical application of knowledge in acoustics.

Center for New Music and Audio Technologies: (CNMAT) A music research, teaching, recording and performance facility striving to promote, produce and present the creative interaction between music and technology. A satellite of the University of California, Berkeley Department of Music drawing participants from many university departments including physics, mathematics, electrical engineering, psychology, computer science, cognitive science and music.

CIRMMT is The Centre for Interdisciplinary Research in Music Media and Technology, a multi-disciplinary research group centered at McGill University.

Department of Speech, Music and Hearing, KTH: Speech, Music and Hearing Laboratories at the Royal Institute of Technology, Sweden.

European Society for the Cognitive Sciences of Music publishes Musicae Scientiae featuring journal articles in English, German, French, Italian, and Spanish.

Institute for Music and the Brain at Harvard: Information about auditory neuroscience, acoustic ecology, music health and medicine, and current research on music and the brain.

Institute of Research and Coordination in Acoustics/Music: IRCAM welcomes and encourages a rich interaction between musical creation and research, remaining faithful to its original vocation while reflecting on the urgency of change.

International Community for Auditory Display: (ICAD) A forum for presenting research on the use of sound to display data, monitor systems, and provide enhanced user interfaces for computers and virtual reality systems. Unique in its singular focus on auditory displays and the array of perception, technology, and application areas that this encompasses.

Michigan State Acoustics/Psychoacoustics: A group of researchers who aim to understand how the human brain processes sound by making mathematical models of the perception process and testing these models against experiments on human listeners.

Music Cognition at Ohio State: The music cognition program, an interdisciplinary program affiliated with the Center for Cognitive Science, includes the largest concentration of critical scholars working in music perception, performance, cognition, and theory at any university. Among other things, this site lists positions available in the department.

Music Perception is an interdisciplinary journal containing contributions from psychology, music theory, musicology, brain sciences, and computing science to the study of music perception, cognition, and performance.

Sempre: Psychology of Music Sempre is the Society for Education, Music and Psychology Research and Psychology of Music is their peer-reviewed journal published by Sage.

Society for Music Perception and Cognition (SMPC) is a a non-profit organization for researchers and others interested in music perception and cognition. The site provides information about society events and meetings.

Unit for the Study of Musical Skill and Development: Homepage of group of researchers at Keele University, Staffordshire whose goals are: to promote and carry out research in psychological aspects of music; to develop interdisciplinary co-operation in such research, particularly between psychologists, cognitive scientists, musicians, and educationalists; to foster regional, national, and international links between individuals and organisations with related research interests; and to promote education and training in the psychology of music, particularly at postgraduate and continuing professional development levels.